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Title: A media luz los tres
Year of Release: 1958
Last Updated:
Tags: media luz los tres
More Info: IMDB + TMDB

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TRES CAFůS is a trilogy which attempts to examine, through different eclectic encounters, how appearances can be deceiving and the consequences of ensuing prejudice(s) regarding stereotype, all tied together by a common setting. While the three films work independently from each other, they complement one another and benefit from being shown together. TRES CAFůS is a short-film trilogy which a

"Des-autorizados" es la combinaci█n de tres historias, tres realidades que coexisten y se retroalimentan. El viaje comienza en la imaginaci█n de Elia K, la directora, que se imagina a El╠as, un personaje que es un dramaturgo pobre que se enfrenta a la encrucijada de serle fiel a su arte, o sucumbir ante las presiones de los productores- debe decidir entre entregar su obra o pagar el precio de su

La pel╠cula cuenta la historia de tres amigos y su sueĎo en com?n, a lo largo de tres momentos hist█ricos claves de la Argentina. Todo comienza en 1976, con la aparici█n de una sex symbol que despierta los primeros ratones de cada uno de ellos. Contin?a y se desarrolla en 1989, durante la noche de mayor hiperinflaci█n. Ante la decadencia del pa╠s, la a?n famos╠sima sex symbol es sospechada de pr

Tres setentotes deciden ir a Acapulco como lo hac╠an 50 aĎos atrĚs. Antol╠n, felizmente casado, es hipocondriaco y lleva una maleta llena de medicamentos; Justo, es un solter█n empedernido que anda detrĚs de jovencitas todo el tiempo, y Mariano, un arquitecto exitoso ya retirado, que va en busca de Carmen, la acapulqueĎa de la que siempre vivido enamorado, pero lleva una pistola y tres balas en

Tres Veces Mojado (Three Times Wet) is a short documentary telling the courageous story of Yanira. Personally narrated, she carries us back through her journey from uncivil El Salvador to the United States. Brief in time but lengthy in substance, Tres Veces Mojado enlightens us about Yanira's past, her current life, and what she yearns for: Legality, citizenship, and a sense of belonging.

Nikita est tr╦s jeune, elle a vingt ans, mais elle a emprunt╚ une mauvaise voie. Pendant un hold-up avec sa bande, elle tue un policier et est condamn╚e ç la prison ç vie. Les services secrets, par contre, lui offrent une voie de sortie : devenir un agent sp╚cial, pr═t ç tout, ç leur service. Nikita accepte et commence ainsi un apprentissage tr╦s dur qui concerne non seulement les diff╚rents mod

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people, while se

Follow Me on Dead Media is the result of a study into an unexpected tendency: While the digital media has become omnipresent in the contemporary society, why some people and subcultures turn to analog media instead? According to this research-oriented documentary, this phenomenon cannot be explained simply through nostalgia but rather it seems that the analog media offers a new creative space in

During the most tumultuous time for media in generations, filmmaker Andrew Rossi gains unprecedented access to the newsroom at The New York Times. For a year, he follows journalists on the paper's Media Desk, a department created to cover the transformation of the media industry. Through this prism, a complex view emerges of a media landscape fraught with both peril and opportunity, especially a

Following the lives of six young people that are prominent 'weblebrities' on a video site YouTube. The film explores the new media, its power and its future. Will the Internet overcome traditional media? Will new media and traditional media merge? The film documents the struggles and successes of characters and their hopes to become the new 'virtual' celebrities. Forget reality TV, broadcast y

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