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We have comments from Sanders, Nicolas-Troyan, Brennan, visual effects producer Will Cohen, effects supervisors Alexander Seaman and John Moffatt, 2D supervisor Sean Stranks, 3D supervisor Dan Neal, animation supervisor Robyn Luckham, senior animation supervisor Andrew Arnett, movement coach Peter Elliott, and visual effects supervisor Todd Shifflett. "Magic" examines a mix of effects methods us
This documentary presents remarks from Emmerich, Goulekas, visual effects supervisors Greg and Colin Strause, digital effects supervisor Bryan Grill, CG supervisor David Prescott, visual effects supervisor Remo Balcells, visual effects supervisor Christopher Horvath, ILM animation supervisor Dan Taylor, ILM creature development supervisor Corey Rosen, ILM CG supervisor Gregor Lakner, and ILM vis
Welcome to an Introduction to Computer Animation, Special Effects. In this short training video, we'll briefly demonstrate a few key special effects that are possible to create in the world of animation. Oh, and don't worry about our test subject...He'll be just fine. Shall we begin?
The Visual Effects Society (VES), the entertainment industry's only society of visual effects professionals, celebrated the best visual effects artistry in film, television, commercial, music videos and games at tonight's 3rd Annual VES Awards recognizing outstanding visual effects in nineteen (19) categories. Robert Zemeckis was honored with the VES Lifetime Achievement Award for his enormous c
This making-of documentary gives us notes from Stokdyk, visual effects supervisor John Dykstra, and animation supervisor Anthony LaMolinara. as they look at the visual effects and their success at the Oscars. Though this comes across as a little self-congratulatory, it mostly gives us an interesting glimpse behind the scenes. We see the process through which flicks get chosen for VFX Oscars in t
An in-depth interview with special effects wizard Dennis Muren, as this short covers his early interest in special effects and stop motion animation and his involvement with the cult classic 'Equinox' (1967/70) to his present day position as one of the top men in his field.
This making-of documentary includes notes from Matte World Digital visual effects supervisor Craig Barron and Digital Domain visual effects supervisor Eric Barba. It examines the visual effects shots created for the film. Since the film uses effects in such a natural manner, some of these may surprise you, and the program gives us a solid discussion of the various elements.
This piece provides a chat with director Michael Bay and visual effects supervisor/second unit director Eric Brevig as they look at the creation of the movie's main effects sequences. Also, includes interviews with Brevig as well as visual effects associate supervisor Ben Snow and co-visual effects supervisor Ed Hirsh.
We hear from Adamson, Johnson, Ford, Moseley, Henley, Keynes, executive producer Perry Moore, Walden Media CEO Cary Granat, costume designer Isis Mussenden, editor Sim Evan-Jones, director of photography Donald M. McAlpine, creature and visual concept designer Richard Taylor, special makeup and creature designer Howard Berger, visual effects supervisor Dean Wright, Rhythm and Hues visual effects
This making-of piece provides remarks from Bekmamvetov, Platt, Khabensky, editor David Brenner, producer Jim Lemley, visual effects supervisors Craig Lyn, Stefen Fangmeier and Jon Farhat, senior visual effects supervisor Pavel Perepelkin, and visual effects producer Maria Karneeva. It concentrates on computer imagery instead of practical elements.
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