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The Visual Effects Society (VES), the entertainment industry's only society of visual effects professionals, celebrated the best visual effects artistry in film, television, commercial, music videos and games at tonight's 3rd Annual VES Awards recognizing outstanding visual effects in nineteen (19) categories. Robert Zemeckis was honored with the VES Lifetime Achievement Award for his enormous c
This making-of documentary includes notes from Matte World Digital visual effects supervisor Craig Barron and Digital Domain visual effects supervisor Eric Barba. It examines the visual effects shots created for the film. Since the film uses effects in such a natural manner, some of these may surprise you, and the program gives us a solid discussion of the various elements.
This piece provides a chat with director Michael Bay and visual effects supervisor/second unit director Eric Brevig as they look at the creation of the movie's main effects sequences. Also, includes interviews with Brevig as well as visual effects associate supervisor Ben Snow and co-visual effects supervisor Ed Hirsh.
This documentary presents remarks from Emmerich, Goulekas, visual effects supervisors Greg and Colin Strause, digital effects supervisor Bryan Grill, CG supervisor David Prescott, visual effects supervisor Remo Balcells, visual effects supervisor Christopher Horvath, ILM animation supervisor Dan Taylor, ILM creature development supervisor Corey Rosen, ILM CG supervisor Gregor Lakner, and ILM vis
This making-of piece provides remarks from Bekmamvetov, Platt, Khabensky, editor David Brenner, producer Jim Lemley, visual effects supervisors Craig Lyn, Stefen Fangmeier and Jon Farhat, senior visual effects supervisor Pavel Perepelkin, and visual effects producer Maria Karneeva. It concentrates on computer imagery instead of practical elements.
It features remarks from Ron Howard, visual effects producer Barrie Hemsley, Moving Picture Company visual effects supervisor Gary Brozenich, Moving Pictures 3d artist Matt Middleton, Rainmaker visual effects supervisor Mark Breakspear, Double Negative visual effects supervisor Paul Riddle, Double Negative 2D lead Ciaran Crowley, Double Negative senior technical director Phil Johnson, Senate vis
Dystopia examines humanity and the modern metropolis as a whole. Through juxtaposing and creating visual comparisons of progressiveness, consumerism, pollution, capitalism, and its effects on persona and society, this piece creates a visual narrative utilizing the language of cinema. As this piece is edited and displayed purely in time-lapse format, Dystopia utilizes the visual example of Los An
We have comments from Sanders, Nicolas-Troyan, Brennan, visual effects producer Will Cohen, effects supervisors Alexander Seaman and John Moffatt, 2D supervisor Sean Stranks, 3D supervisor Dan Neal, animation supervisor Robyn Luckham, senior animation supervisor Andrew Arnett, movement coach Peter Elliott, and visual effects supervisor Todd Shifflett. "Magic" examines a mix of effects methods us
This documentary gives us notes from Downey, Lynch, Silver, Kassovitz, Libatique, Henry, co-producer Richard Mirisch, senior visual effects supervisor David Ebner, digital effects supervisor Jeff Goldman, fire and explosion developer Timur "Taron" Bayal, and visual effects artist Votch Lei. They cover digital effects in general, with some emphasis on computer-generated fire and ghostly elements.
The Teen Choice Awards is an annual awards show. The awards honor the year's biggest achievements in music, movies, sports, television, fashion, and more, voted by teen viewers (ages 13 to 19). Winners receive a full size surfboard designed with the graphics of that year's show.
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