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Where Can I watch Close to Greenaway For Free? Now a days there are many sites available for free to watch Close to Greenaway online. Now a days we prefer to watch Close to Greenaway online because for offline first we have to download and then watch it, but for online we can see right now.
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its thirty-four painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's pa
Documentary film by Peter Greenaway made for Thames Television, in which people who have survived being struck by lightning relate their experiences against a typically Greenaway backdrop of lists, black humour, 'collated statistics', bizarre camera angles and Michael Nyman music.
A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films. Looking out from various windows, Peter Greenaway narrates a series of statistics of casualties related to windows: injuries and deaths, accidents, suicides, misadventures, and a man who thought he could fly. Appalled by sta
A short made for TV with director Peter Greenaway discussing the dazzling 3.5 minute opening sequence from his film, 'Prospero's Books (1991)'. As Prospero (John Gielgud) walks through his library Greenaway comments on the 100 historical, mythological, biblical & fictional characters occupying the library.
Peter Greenaway's celebration of water, and the human relationship with it, choreographed to Michael Nyman music and culminating with a synchronised swimming sequence!
Peter Greenaway presents this "Commentary in one hundred parts" on Drowning by Numbers (1987), discussing and analyzing many of the film's more intriguing features.
Greenaway's virtually unseen first film is described by the director as "a work of juvenalia" shot in four London cemeteries, focusing on "church yard furniture, crosses, flying angels, [and] typography on grave stones," with the occasional painting reference thrown in as well.
Sue Gilbert returns to explore the wealth and lifestyle issues first portrayed through the eyes of her elderly parents in Greenaway. In this film, she compares her parents' viewpoints to those of their children and adult grandchildren over a range of topics, including seldom discussed issues of deserving, hiding and envy.
Tongue-in-cheek, early Greenaway short reflects the incredibly meticulous encyclopedic nature of his early films. An attempt is made to "reconstruct" a proposed, but never made, film according to some reasonably vague directions. The attempt is made over and over because of conflicting interpretations of the instructions.
A commissioned project, made for TV in honor the the 200th anniversary of Mozart's death, this is a highly avant-garde piece of music, theater and dance, set to an original score by the controversial Dutch composer Louis Andriessen (who would later collaborate with Greenaway on the operas "Rosa" and "Writing to Vermeer"). Four nude, powder-white dancers (representing the Gods) appear on a stage
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