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The scene opens at the Garde de Parre at the Paris Exposition Grounds, and shows a long stream of cars drawn by a typical French engine steaming into the station. The train comes to a stop and hundreds of doors of the European compartment cars are opened. The multitudes of people of all nationalities pour out and start with a rush for the main gate of the Exposition. This picture was secured on
Documentary limning the life of Paris and its citizens during "La Belle Epoque," the years between 1900 and 1914. Beginning with the Paris Exposition of 1900 and the completion of the Eiffel Tower, the film progresses through cultural, technological, and social changes, from peaceful and sometimes nive times to the rumbling foreshadowing of the war that would disrupt France and Europe for years
"A panoramic bird's-eye view of Paris and the Exposition. Taken from a captive balloon, the camera being pointed downward so that the exact effect is obtained that one would have in looking over the side car of a balloon. The figures of the people below are mere dots, and the buildings are seen in complete groups."
The picture was taken in the Gypsy tent at the Pan-American Exposition and shows ten beautiful Gypsy girls executing the famous Gypsy dance that created such a furore at the Exposition. Features of the well known couchee couchee are introduced by some of the dancers. The scene is both artistic and entrancing.
An excellent picture secured on the Esplanada of the Pan-American Exposition, showing the live stock exhibitor's exposition of prize winners at the Pan-American. Here we show some of the most beautiful horsees ever presented, the animals having been gathered from all sections of North America. The exhibition begins with Kentucky thoroughbreds, who prance by the camera and form a decided contrast
The scene of the story is laid at San Diego in the grounds of the Panama Exposition, and centers about a young girl whose mother, near death, has sent her with her little sister to look up her aunt. The aunt, who, with her unscrupulous husband, runs a show at the exposition, figures as the human butterfly. The girl is persecuted for her beauty by her uncle, takes refuge with the Hawaiian players
The Pan-American Exposition is encircled by an especially constructed canal, which was put in for the purpose of allowing the tourist to view the exterior of the buildings of the Pan-American Exposition with as little fatigue as possible. It is called the Grand Canal, is over a mile in length and extends around the central group of large buildings. The Mirror Lakes in the Southern portion of the
Taken from an automobile. This picture was taken during the fashionable driving hour, making a complete circle of the Place de la Concorde, passing hundreds of carriages and busses. The beginning of the picture shows the historical church of the Madeleine in the background, the picture ending by approaching and running under the main entrance to the Paris Exposition.
From a stationary camera, we see the base of the Eiffel Tower, a crowd walking in the foreground during the 1900 Paris Exposition. Behind the tower and to the left is a smokestack pouring out smoke. A man and a woman, each wearing a hat, walk in front of the camera and appear in silhouette. Except for the trail of smoke, the sky is clear.
In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the
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